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Q问:80s迅雷下载
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Q问:向往的生活迅雷
提问时间: 2024-04-08
A答:寂静岭迅雷
解答时间: 2024-05-22



剧情介绍:  桑德拉·李医生是一位皮肤科医生,在洛杉矶地区工作长达15年之久。她专门从事患者皮肤不同部位的各种肿块和囊肿的去除工作,并在全国享有盛誉。安吉丽娜的左胸下有一个巨大的胸部肿块,这不仅影响了她的爱情生活,还大大降低了她的自信和价值。德拉诺是一个雄心勃勃但饱受压抑的年轻人,他的背上有一个神秘的、足球大小的肿块,这影响了他找到工作的能力,导致他最近无家可归。卡拉从密西西比州远道而来,带着她充满活力的美国南方的魅力来到洛杉矶,希望能摘除自己头皮上5个又大又痛的囊肿。还有,布伦达的前额有一个四英寸长的肿块,靠近她的左眼,非常危险。为了有勇气走出家门去工作,她不得不用头发遮住脸过自己的生活。对于每一个病例,李医生都通过仔细讨论和近距离体检来诊断肿块,并检查癌症或其它疾病的危险迹象,同时努力让病人保持冷静和舒适。 只有等她制定了计划后,医生和她的医疗助理团队才能准备注射器、手术刀和防喷口罩开始准备手术。只有到那时他们才能尝试尽可能完全和安全地切除每个肿块。许多肿块很常见,也很容易诊断,但皮肤的数十亿细胞总是在产生李博士没有见过的新东西。最后,所有患者都希望李医生能安全地帮助自己恢复正常、健康的生活。
Q问:霍元甲迅雷下载
提问时间: 2024-06-12
A答:寂静岭迅雷
解答时间: 2024-06-06



剧情介绍:  Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
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